Champagner für die Augen - Gift für den Rest

Storyline

A spirit of optimism, structural change, emancipation: by showing excerpts from his films such as LIEBE, SO SCHÖN WIEBE (1971), SYLVIE (1973), IDOLE (1976) and AMORE (1978), Klaus Lemke tells his story of the decade, now half a century ago, that was so formative for Munich, with sentences such as: "Back then, we all thought life was eating out of our hands, then in the '80s we became fodder ourselves."

"The feeling of life in Munich in the 70s through the eyes of one of the most stylish filmmakers of that time."

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