The Reivers
Comedy, Drama
Storyline
In turn-of-the-century Mississippi, an 11-year-old boy comes of age as two mischievous adult friends talk him into sneaking the family car out for a trip to Memphis and a series of adventures.
"Boon is a reiver (that's a cheat, a liar, a brawler and womaniser) and he had just four days to teach young Lucius the facts of life (like cheating, lying, brawling and womanizing)."
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"**_McQueen hams it up in Faulknerâs early 1900âs Southern misadventure_** In northern Mississippi, 1905, the first automobile is brought to town, a yellow Winton Flyer, bought by the patriarch of the McCaslin family (Will Geer). A likable rapscallion named Boon (Steve McQueen) talks the 11 year-old McCaslin grandson (Mitch Vogel) into going to Memphis in the âborrowedâ vehicle for a few days while gramps is out of town for a funeral. Rupert Crosse joins the fun trip and Sharon Farrell plays a woman of ill repute in Memphis. Based on William Faulknerâs last novel, "The Reiversâ (1969) is a picaresque tale thatâs worth seeing just for the primitive automobile. Steve called the vehicle âthe real star of the pictureâ and acquired it after filming for his personal collection. Yet the exploits of the colorful protagonists are entertaining in a fun way. However, the tone is initially jarring, combining the air of a Disney kidâs flick from that era with adult bits, like staying overnight at a brothel and everything that goes with it. I should add that thereâs no nudity except for a full-bodied painting on the wall in the boyâs bedroom, which he amusingly gazes at with fascination. Being too adult-oriented for children and not meaty enough for adults, the movie unsurprisingly failed to connect with audiences at the box office, leading McQueen to later lament that it made him look like âthe village idiot.â While it is true that he comes across as an âAw shucksâ simpleton, the character of Boon IS a man-child, an adult who still behaves like an irresponsible child. Meanwhile the kid is the real star since itâs his coming-of-age story. On the female front, Sharon Farrell is reminiscent of Ann-Margret and was one of the most beautiful women to walk the earth in her prime. Meanwhile redhead Diane Shalet is on hand as Hannah. If what I said interests you, check it out, but "Paper Moon" (1973) is a better choice for this kind oâ flick. It lacks the curious hammy approach of McQueen (and a couple others, to lesser degree). The film runs 1 hour, 47 minutes, and was shot in Greenwood & Carrolton, Mississippi, with the horse racing sequences (obviously) done at Walt Disney's Golden Oak Ranch in Newhall, California, which is located in the high country just north of Hollywood and east of Santa Clarita. GRADE: B-/C+"
Read full review â"This reminded me of one of those live-action films that Disney put out in the 1960s and 70s. A big star (Steve McQueen) is friends with a young lad (Mitch Vogel) and together with his cheeky friend âNedâ (Rupert Crosse) they âborrowâ the bright yellow Lincoln motor car of his grandfather (Will Geer) and head off for some adventures. First things first, to Memphis they travel where âBoonâ (McQ) is hoping to see his gal (Sharon Farrell) who works in an house unsuitable for an eleven year old boy! Whilst they are preoccupied, âNedâ hits upon the idea of trading in the car - remember that roads arenât so prevalent and mud still is - for an horse! When âBoonâ discovers the news, he knows he has to get the car back before they go home and all hell breaks loose. All the while, the shy and decently brought up âLuciusâ (Vogel) is having his eyes opened! There looks like there is only one way to get the vehicle back, and thatâs for them to win the local derby. Neither âBoonâ nor âNedâ really know one end of an horse from the other, whereas âLuciusâ is not only no slouch on that front, but he also weighs a good deal less. Perhaps if he can win the race, they can get the car back? Quite why anyone would want a luminous yellow car in this territory in the first place is anyoneâs guess, but this one soon gets used to mud! This is a very gentle coming-of-age story thatâs not just about the young man, but his older friend too and itâs peppered with daft scenarios that showcase the charm of the star and the quality of the creatively designed production as it moves along in a fashion for an admittedly overdone two hours. It isnât especially original, no, but everyone here looks like they are having fun (except, perhaps, the goldfish in the brothel) and itâs mischief tempered with a hint or moral sentiment is watchable enough."
Read full review â"This reminded me of one of those live-action films that Disney put out in the 1960s and 70s. A big star (Steve McQueen) is friends with a young lad (Mitch Vogel) and together with his cheeky friend âNedâ (Rupert Crosse) they âborrowâ the bright yellow Lincoln motor car of his grandfather (Will Geer) and head off for some adventures. First things first, to Memphis they travel where âBoonâ (McQ) is hoping to see his gal (Sharon Farrell) who works in an house unsuitable for an eleven year old boy! Whilst they are preoccupied, âNedâ hits upon the idea of trading in the car - remember that roads arenât so prevalent and mud still is - for an horse! When âBoonâ discovers the news, he knows he has to get the car back before they go home and all hell breaks loose. All the while, the shy and decently brought up âLuciusâ (Vogel) is having his eyes opened! There looks like there is only one way to get the vehicle back, and thatâs for them to win the local derby. Neither âBoonâ nor âNedâ really know one end of an horse from the other, whereas âLuciusâ is not only no slouch on that front, but he also weighs a good deal less. Perhaps if he can win the race, they can get the car back? Quite why anyone would want a luminous yellow car in this territory in the first place is anyoneâs guess, but this one soon gets used to mud! This is a very gentle coming-of-age story thatâs not just about the young man, but his older friend too and itâs peppered with daft scenarios that showcase the charm of the star and the quality of the creatively designed production as it moves along in an amiable fashion for an admittedly overlong two hours. It isnât especially original, no, but everyone here looks like they are having fun (except, perhaps, the goldfish in the brothel) and itâs mischief tempered with a hint or moral sentiment is watchable enough."
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