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132 min 1943 IMDb 6.3

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Stage Door Canteen

Comedy, Music, Romance, War

šŸŽ¬ Critics Choice Nominee
Director Frank Borzage
Status Released
Release Date 1943-06-24

Storyline

A young soldier on a pass in New York City visits the famed Stage Door Canteen, where famous stars of theatre and film appear and host a recreational center for servicemen during the war. The soldier meets a pretty young hostess and they enjoy the many entertainers and a growing romance.

"YOU'VE HEARD ABOUT IT! READ ABOUT IT! NOW *SEE* THE WORLD'S GREATEST ENTERTAINMENT HIT!"

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CinemaSerf ā˜… 6.0

"ā€œIs there something wrong with your throat?ā€ ā€œYeah, there is a lump in it…!ā€ Well no wonder when there are forty hungry soldiers and sailors outside this canteen looking for corned beef and ketchup, and that’s before they have even met the gals like ā€œEileenā€ (Cheryl Walker) who are frequenting the place trying to make their last nights before deployment as much fun and memorable as they can. The film is a compendium of cameos and on-stage performances from an array of stars who provided their services to gee up the young people who are about to head off to a conflict from which there may well be no return. Those stories are played out with enthusiasm by a few very boyish actors - epitomised by ā€œDakotaā€ (William Terry) - who evoke clean cut, polite and respectful characteristics whilst the likes of Ed Wynn and Harpo Marx raise a laugh. George Raft does some washing up; Johnny Weissmuller does likewise without his shirt; Merle Oberon does some charming hosting; Yehudi Menuhin plays a short excerpt of ā€œThe Flight of the Bumblebeeā€; Dame May Whitty and Judith Anderson makeĀ what must be briefest appearancesĀ of their distinguished careers and there’s a mischievous musical number from Gracie Fields unashamedly taking aim at a musically dwindling number of Japanese pilots. It actually moves along quite well as it offers us a combination of entertainment and sentiment. That latter element isn’t laboured, indeed it’s quite engagingly, even gingerly, delivered by teenagers who come across as greener than anything that ever graced the ā€œGablesā€. It’s long, but you can play a 1940s version of ā€œWho’s Wally?ā€ as you try to recognise many of those household names that haven’t necessarily stood the test of time. Katharine Hepburn delivers the coup de grĆ¢ce at the end, with a lovingly but potently delivered reinforcement of the message that there are tough times ahead, but if everyone pulls their weight then the days of the axis are numbered. "

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