Kull the Conqueror
Adventure, Fantasy
Storyline
A barbarian named Kull becomes ruler after defeating the old king in battle. In an effort to regain the throne, the former king's heirs resurrect Akivasha, a witch queen. However, Akivasha has plans of her own for the throne, and only Kull stands in the way.
"Courage conquers all."
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Reviews from the Web
"***âBy this Axe I Rule!â*** An Atlantean barbarian (Kevin Sorbo) takes the throne of Valusia when he defeats King Borna (Sven-Ole Thorsen) and so General Taligaro (Thomas Ian Griffith) & assorted ânoble-bloodedâ men conspire to overthrow Kull by resurrecting the wicked Acheron sorceress Akivasha (Tia Carrere). Karina Lombard plays Kullâs love interest, Zareta, while Litefoot is on hand as the priest Ascalante. Released in 1997, thirteen years after the last Conan movie, âKull the Conquerorâ was intended to be the third Conan film, but Schwarzenegger declined so they morphed it into a Kull movie. For those not in the know, Kull was author Robert E. Howardâs other barbarian hero, who wasnât as popular as Conan. Kull, incidentally, existed thousands of years before Conanâs Hyborian Age. The switch didnât really matter because the script was loosely based on Howardâs Conan story "The Phoenix on the Sword," which was a rewrite of the Kull yarn âBy this Axe I Rule.â Sorbo was in his prime here and definitely looks like Kull from the comics, except he has his characteristic geniality whereas Kull was more grim and brooding in Howardâs tales. Nevertheless, Sorbo is well cast and one of the filmâs highlights. The score by Joel Goldsmith is quite good, except for a couple of semi-cheesy metal riffs, like the eye-rolling riff near the beginning and another one much later during the fight at the ice cave, which isnât as bad. At least half of the score lacks any metal guitar whatsoever and most of the pieces that do include it are very good; thereâs just a couple of dubious riffs, which turned me off the first time I watched the movie. These wannabe metal rhythms were rather lame in 1997, let alone today. Another flaw is that the opening of the movie is weak with Kullâs dealings with the Dragon Legion and his fiery sword fight with Taligaro. If youâre patient, however, the story takes a compelling turn with the palace confrontation. The production is acceptable, but noticeably inferior to âConan the Destroyerâ (1984). Iâd say itâs on par with âThe Sword and the Sorcererâ (1982), but with a superior story and more interesting characters (once you get past the lousy opening). I should add that Tia looks great as a green-eyed redhead and the fiery demon F/X at the close are quite effective. IF you can handle its obvious shortcomings, âKull the Conquerorâ is an entertaining S&S flick that should be enjoyed by fans of Conan, Sinbad and the like. If you watched it before and didnât like it, give it a second chance. Iâm glad I did. Itâs flawed, but thereâs too much to appreciate to give it a negative rating. The film runs 1 hour, 35 minutes and was shot in Slovakia (Bratislava & Cerveny Kamen) and Croatia (Kornati National Park & Murter Island). GRADE: B-/C+"
Read full review â"When the ageing but warlike king of âValusiaâ decides to do away with many of those who could be heirs to his kingdom, it takes all the strength of the brave âKullâ (Kevin Sorbo) to stop him. In return, the now ailing âBornaâ decides to name him his successor! This goes down like a lead balloon with the now circumvented âPrince Ducalonâ (Dougie Henshall) and the general âTalibaroâ (Thomas Ian Griffith) who promptly plot to be rid of the man they see as a usurper. To that end, they decide on the distinctly dangerous practise of resurrecting the long dead and profoundly evil âQueen Akivashaâ (Tia Carrere) who just happens to make Medusa look like Julie Andrews. Of course, once she has air back in her lungs, she imposes her own agenda and soon it falls to âKullâ to try to thwart her attempts to rebuild her long lost empire and⌠yep, youâve guessed⌠rule the world! Some creative effort has gone into the visual effects, and there are plenty of set-piece combat scenes, but the rest of this just reminds you of a dodgy and poorly lit television movie filmed almost entirely on a sound stage and completely devoid of any jeopardy or peril. Sorbo has some charism as âHerculesâ (1995) but here, thereâs simply no room for that as the story evolves, peplum-style, for ninety minutes that had me looking to watch âKrullâ instead. My money was on âAkivashaâ."
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