Psycho II
Horror, Mystery, Thriller, Crime
Storyline
Norman Bates is declared sane and released from the facility in which he was being held, despite the complaints of Lila Loomis, sister of his most famous victim. Is he really cured, or will he kill again?
"It's 22 years later, and Norman Bates is coming home."
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Reviews from the Web
"We all go a little sequel crazy sometimes. 22 years after the murderous and maniacal events at Bates Motel, Norman Bates, freshly released from a mental institution, is back home; and the spectre of âMotherâ is waiting to greet him. We could say it was a cynical attempt at latching onto the coat tails of the 1980s slasher boom, but in spite of having the unenviable task of being a sequel to a masterpiece, Psycho II is a rather nifty sequel. Director Richard Franklin is helped by having Anthony Perkins and Vera Miles heading up the cast list, this gives the film instant credibility, and while the mighty spectre of Hitchcock looms large, Franklin doesnât copy the maestro and brings his own visual smarts to the piece. Tom Hollandâs screenplay doesnât mimic either, expanding the Bates story with a series of quality twists whilst keeping the mystery element strong and the gripping factor on the high heat. Dean Cundey (cinematography) and Jerry Goldsmith (music) round out the strong points of the filmâs tech credits. Not to be dismissed as a lazy cash in, this is well worth a look. Great ending as well! 7/10"
Read full review â"When phantoms of the past wonât let you live in peace After 22 years at an asylum, Norman Bates (Anthony Hopkins) is declared sane and released, which is radically opposed by Lila Loomis, AKA Lila Crane from the original movie (Vera Miles). Norman goes back to his deceased motherâs house & motel where he befriends a compassionate local waitress (Meg Tilly). Unfortunately, some unforgiving locals wonât let him live in peace. The first half of âPsycho IIâ (1983) is a compelling continuation of the classic 1960 film whereupon thereâs an unexpected plot development around the mid-point (which is great, by the way). From there, the events tend to bog down inside the creepy house with somewhat contrived twists & turns as the creators try to keep you confused as to whoâs killing who. Thankfully, everything is sort of explained at the end with another revelation and what happened makes sense if you think about it. I say âsort ofâ because the truth isnât fully spelled out. I appreciate that the film respects the intelligence of the viewer, but they shouldâve made it a little clearer IMHO. In any case, âPsycho IIâ includes several elements of the original while expanding on the story. Whatâs great about the Psycho franchise is that it has its own story and Norman is a sympathetic character. Itâs really a tragedy and not like the typical slasher where the antagonist is a zombie-like killing machine and its victims are mostly partying teenagers. The film runs 1 hour, 53 minutes and, like the first film, was shot at the backlot of Universal Studios, Universal City, California. GRADE: B EXPLANATION ***SPOILER ALERT*** (Donât read further unless youâve seen the film) Miss Spool killed Toomey, the boy and Lila. Maryâs killing of Dr. Raymond was unintentional. Lila was a vindictive biyatch, but she wasnât a killer. The only time Norman kills anyone is Miss Spool at the end. As far as her being Normanâs real mother or not, see âPsycho IIIâ (1986)."
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